The experience she has had will not allow her to turn her back on what she now *knows* to be true. And when she wants to make her life "real", she wants her husband to share the journey and she realizes with only the intuitiveness that wife can have that he will never make that journey with her. She eventually came to realize that in every way her life was every much of a sham as Paul's life. From the moment she says, "we are a terrible match" that was the end of their relationship. Well, that's what I feel it implies to the story.what do you think?Īny woman can answer that question and since I'm a woman, I will. Ouisa makes a point about how you keep the memory of certain experiences vivid, and alive without making it sound like a anecodote. Paul wants Ouisa to help him start a new life, one that he only barely tasted through the act of being a fraud. ![]() He makes a good point when he's talking about his thesis, that you'd have to be the "worst kind of yellowness.to not to face yourself", but in actuality everyday people are afraid to face theirselves, let alone their demons. ![]() Paul uses the reference to the painting because he's showing how he's what everyone, including himself, wants him to be like, not necessarily what he really is. Chaos, Control." It's showing with a simple flip of the wrist or otherwords a simple twist of fate how our lives can go from being what we deemed controlled to a chaotic mess. When Flan keeps spinning the painting and Ouisa keeps saying, "Chaos, control. ![]() It represents how we appear, and how we really are. I think the double sided Kandinsky has many significant symbols that reflect our lives.
0 Comments
Leave a Reply. |